The V BEAT is the most compact drum microphone in its class, intended for use with snare drums or toms. Unlike the V7, which is optimized for vocals, the V BEAT offers the same high-quality sound as the V7 X instrument microphone, but in a purpose-built, low-profile and drum-friendly form factor. It is tuned for instrumental use, but can also be used for electric guitar amplifiers or brass instruments, for example. Its special capsule delivers a highly detailed and extremely natural sound on snare drums or toms of any size, with excellent off-axis rejection to minimize bleed from nearby drums and cymbals. Its ultra-compact design and parallel XLR connector with stand mount provide the smallest footprint in its class, and its rock-solid swivel mount allows for very precise angle adjustment – so it can be aimed at virtually any part of the drum head to achieve the desired sound characteristic.

Compact, Flexible & Minimalist Design
The V BEAT features an extremely low-profile mechanical design, with the XLR connector and stand mount integrated in parallel at the base of the flexible swivel stand. This minimizes the V BEAT’s footprint, keeps cables out of sight, and eliminates the need for right-angle adapters or special cables. It also means cables cannot interfere with drum performance, as they are kept clear of cymbals and drum sticks.

The heart of the V BEAT: The DMC7 X capsule
The custom-designed DMC7 X capsule offers the same technologies and features as its sibling in the acclaimed V7, including its innovative, specialized aluminum voice coil. Where the V7 is optimized for vocals, the capsule in the V BEAT has been custom-tuned for instrumental use. Being much lighter than the industry standard (copper), aluminum delivers an open and transient-rich sound, with deep and clear lows for excellent performance. The midrange is also extremely balanced, supporting the natural resonances of percussion instruments.

The excellent off-axis rejection of this sophisticated capsule also helps to isolate your drums from other sound sources on the stage – effectively reducing stage bleed from other drums, cymbals and more. The supercardioid pattern also allows you to easily adjust the low frequencies by varying the proximity effect – i.e. the distance to the drum head.

Proven neodymium magnets, tight production tolerances, and high-quality workmanship ensure excellent sensitivity, high-end sound quality, and superb consistency.

Unique, Patented Integrated Capsule Suspension
The V BEAT’s advanced internal capsule suspension efficiently decouples the capsule from mechanical vibration, isolating it from shocks and impacts and eliminating the need for an external shock mount.

All-Metal Housing & Spring Steel Grille
The V BEAT’s robust chassis is all-metal, with no fragile plastic parts. The high-quality, highly durable zinc alloy die-cast housing is designed to withstand years of stress on stage. The spring steel mesh grille is dent-proof and corrosion-free for optimal reliability, and the rotary knob for the swivel mount ensures the V BEAT stays securely in place in any position.

Internal Windscreen
The red internal windscreen efficiently reduces unwanted plosives, pops and wind noise. Should you prefer a more subtle black windscreen, this is also included as standard.

Gold-Plated XLR Connector
The V BEAT’s gold-plated XLR connector ensures a loss-free and reliable signal connection for years to come.

Knurled Nut for other mounting accessories
Some popular drum microphone mounting systems (such as the LP® Mic Claw) feature a knurled nut to secure the microphone. However, due to its extremely compact design, these third-party nuts can partially block the XLR connector on the V BEAT. Therefore, we have included a knurled nut with a smaller outer diameter to solve this issue.

Optional Accessory: The V CLAMP
Paired with sE’s V CLAMP, the V BEAT becomes even more compact and flexible. The V CLAMP adds an additional vertical axis of motion for even better positioning, and ensures the V BEAT remains securely attached to the rim of your drum, without taking up much additional space.

In 2010, sE Electronics introduced the X1, an affordable and handcrafted condenser microphone with numerous features. The microphone had the highest dynamic range and SPL in its class and more capabilities than its competitors. Its successor, the sE Electronics X1 S, is a refined version of this modern classic, improved in almost every way and just as affordable as the original. The RF-X Reflexion Filter from sE Electronics has become an industry standard today, transforming any room into a vocal booth for a home studio. The easy-to-install filter features a multi-layer design, distinguishing itself from the competition by filtering frequencies evenly across the entire spectrum. This allows for completely natural recordings in virtually any environment. The Studio Bundle also includes a 3-meter XLR cable and the sE Isolation Pack, a sturdy shock mount with an integrated adjustable pop filter. Like its predecessor, the X1 S features a handcrafted condenser capsule, meticulously constructed and tuned by sE's technicians. Compared to its predecessor, its self-noise is very low, making it one of the quietest microphones in its class. The microphone also has improved sensitivity and a higher SPL. The -10 dB and -20 dB pad switches provide a larger dynamic range, making the microphone suitable for a wide range of applications and close-mic techniques, even for the loudest instruments such as electric guitars, fortissimo brass instruments, and kick drums. The low-cut filter can be switched to 80Hz or 160Hz; both filters eliminate low-frequency rumble and compensate for the peak (proximity effect) in close-mic techniques. Unlike the cheaply built housings of other "entry-level" microphones, the X1 S has an all-metal housing. This ensures the suppression of electrical interference and noise.

In 2010, sE Electronics introduced the X1, an affordable and handcrafted condenser microphone with numerous features. The microphone had the highest dynamic range and SPL in its class and offered more capabilities than the competition. Its successor, the sE Electronics X1 S, is a refined version of this modern classic. Improved in almost every way and just as affordable as the original. The Vocal Pack also includes a 3-meter XLR cable and the SE Isolation Pack, a robust shockmount with an integrated adjustable pop filter. Like its predecessor, the X1 S features a handmade condenser capsule, meticulously constructed and tuned by sE's technicians. Compared to its predecessor, the self-noise is very low, making it one of the quietest microphones in its class. The microphone also has improved sensitivity and a higher SPL. The -10 dB and -20 dB pad switches provide a wider dynamic range, making the microphone suitable for a wide range of applications and close-mic techniques. Even for the loudest instruments, such as electric guitars, fortissimo brass, and kick drums. The low-cut filter can be switched to 80Hz or 160Hz; both filters eliminate low-frequency rumble and compensate for the peak (proximity effect) in close-mic techniques. Unlike the cheaply constructed casings of other "entry-level" microphones, the X1 S has an all-metal housing. This ensures suppression of electrical interference and noise.

The X1 A: It could be your first microphone, but you'll never want to replace it. There's a new entry-level model in sE's renowned X1 series, which (once again) breaks the performance barrier for any microphone in its class.

The X1 A is the new entry-level model in sE's acclaimed X1 series. Designed to be the best-in-class microphone for home recording, it brings the X1 series' legacy to a wider audience worldwide.

The whole team has worked hard on this completely new acoustic design, which delivers an impressively clear sound you would normally only expect from a much more expensive product. The new X1 A not only delivers the best sound quality in its price range but also convinces with its convenient features, high dynamic range, and impressive finish.

Completely new acoustic design

The X1 A delivers the best sound quality in its class thanks to its newly developed acoustic design with a carefully selected condenser capsule. The impeccable sound quality without coloration guarantees a wide range of applications. Thanks to the carefully selected capsule, the microphone offers an even, well-balanced frequency response.

The electronics have also been completely revamped and show better specifications and sound quality – both on and off the test bench – than any other microphone in its class.

Attenuation pad & low-cut filter

The -20 dB pad switch provides an extended dynamic range, enabling a wide range of applications and close-mic techniques, even for the loudest instruments... think super-heavy electric guitars, fortissimo brass instruments, and heavy kick drums.

The 100 Hz low-cut filter helps eliminate low-frequency rumble or footfall noise and compensates for excessive bass when using close-mic techniques (proximity effect).

All-metal housing and high-quality finish

Unlike the cheaply constructed housings of some other "entry-level" microphones, the X1 A's all-metal housing provides efficient suppression of electrical interference and noise. The high-quality finish ensures that the microphone will look good for years to come.

Integrated windscreen

Eliminates the need for an external pop filter and provides additional protection for the critical capsule.

Gold-plated XLR connector

Guarantees a loss-free, reliable signal connection, for years.

Standard accessories

The X1 A comes with a robust, newly designed swivel microphone clip and thread adapter for mounting on any microphone stand. For additional noise reduction, the X1 A pairs perfectly with sE's Isolation Pack and the Reflexion Filter X – highly recommended for a professional vocal recording setup in your home studio.

From vocals to acoustic instruments, electric guitars, and percussion: the X1 A is the perfect choice for any musician looking for a high-quality microphone at an entry-level price.

The SE Electronics X1R is a passive ribbon microphone with a handmade capsule and neodymium magnets. By combining traditional SE ribbon technology with the patented HF extension technology from the Voodoo series, SE has succeeded in developing a classic-sounding ribbon microphone with an elegant lift in the high end.

In 2010, sE Electronics introduced the X1, an affordable and handcrafted condenser microphone with numerous features. The microphone had the highest dynamic range and SPL in its class and more capabilities than the competition. Its successor, the sE Electronics X1 S, is a refined version of this modern classic. Improved in almost every respect and just as affordable as the original. Like its predecessor, the X1 S features a handcrafted condenser capsule, carefully constructed and tuned by sE's technicians. Compared to its predecessor, the self-noise is very low, making it one of the quietest microphones in its class. The microphone also has improved sensitivity and a higher SPL. The -10 dB and -20 dB pad switches provide a larger dynamic range, making the microphone suitable for a wide range of applications and close-mic techniques. Even for the loudest instruments, such as electric guitars, fortissimo brass, and kick drums. The low-cut filter can be switched to 80Hz or 160Hz; both filters eliminate low-frequency noise and compensate for the peak (proximity effect) in close-mic techniques. Unlike the cheaply built enclosures of other "entry-level" microphones, the X1 S has an all-metal housing. This ensures suppression of electrical interference and noise.

The V7 X, the sibling to the acclaimed vocal-focused V7, is a dynamic instrumental microphone ideal for a wide variety of instrumental applications in the studio or on stage. The innovative aluminum voice coil and the special capsule's brand new acoustic design are specifically tailored for crystal-clear, full-frequency-response instrumental amplification and recording. The microphone offers a perfectly natural balance of detailed highs and incredibly deep, clear lows, making it suitable for virtually any sound source, from electric guitar amps to brass instruments, from snare drums to choirs, and much more.

In a world full of dynamic microphones – and largely dominated by a small number of "industry standards" – the V7 has quickly received high praise from both artists and reviewers for its stunningly realistic sound quality, massive gain before feedback, and superior off-axis rejection. The V7 X brings these desirable characteristics to your instruments, providing a perfectly natural sound image in any live or studio environment, creating an even closer connection between instrument and listener.

The Heart of the V7 X: The New DMC7 X Capsule
The all-new, custom-designed DMC7 X capsule offers the same technologies and features as its sibling in the V7, including the innovative, specialized aluminum voice coil. Where the V7 is optimized for vocals, the capsule in the V7 X is specially tuned for instrumental use. Its higher frequency response is smooth and balanced, capturing every nuance of the player, while its reduced resonance and deep, extended low-frequency response enable a complete spectrum of instruments: 4x12 guitar cabinets, toms, snare drums, brass, barrel organs, or any other instrument sound loud, natural, and clear.

The supercardioid pattern of this sophisticated capsule also helps to isolate your instruments from other sound sources on stage - effectively reducing bleed and providing plenty of gain before feedback. The superior off-axis rejection also makes the V7 X ideal for recording snare drums, toms, or hi-hats with minimal signal bleed.

Proven neodymium magnets, tight production tolerances, and high-quality workmanship ensure excellent sensitivity, high-quality sound, and superior consistency.

Unique, Patented Integrated Capsule Suspension
The V7 X's sophisticated internal capsule suspension effectively decouples the capsule from mechanical vibrations, isolating it from shocks and impacts and providing exceptionally low rumble and handling noise compared to other microphones in its class.

All-metal Housing and Beveled Spring Steel Grille
The robust design of the V7 X is all metal - no plastic parts in sight. The high-quality, highly durable zinc alloy of the chassis is designed to withstand the rigors of the stage for years to come, and the spring steel grille is dent-proof and corrosion-resistant for perfect reliability. The beveled edge around the grille also prevents the V7 X from rolling away when placed on an amplifier or the stage floor.

Internal Windscreen
The red internal windscreen effectively reduces unwanted wind noise - and should you prefer a more subtle black windscreen, it is also included as standard.

Gold-plated XLR Connector
The V7 X's gold-plated XLR connector guarantees a loss-free and reliable signal connection for years to come.

The Gatt Audio DM-40 is a very affordable dynamic microphone that can withstand a few knocks. It's ideal for karaoke but can also be used on stage. Its cardioid pickup pattern picks up very little ambient noise.

The DM-40 is ideal for giving speeches, playing instruments, and its on/off switch makes it very practical for karaoke, among other things. Includes a cable.

Discover the ultimate combination of timeless style and professional performance with the DM-500 steel-bodied microphone, inspired by the most iconic microphone designs. Whether you're creating at home or on stage, this microphone offers unparalleled sound quality and durability.

With its rugged steel housing, this microphone is built to last, even in the most demanding environments. Whether you're singing, speaking, or recording, this microphone delivers consistent, clear performance every time.

Add a touch of elegance to your setup and let your voice shine with our steel-bodied microphone. A perfect choice for both amateurs and professionals who demand only the best.

The Gatt Audio DM-700 is a professional and robust dynamic microphone. Perfect for vocalists. The cardioid pickup pattern suppresses unwanted ambient noise and minimizes feedback. The low impedance ensures trouble-free operation with full signal bandwidth over long cable runs. Cable included.

The V7 Black is built to perform – and built to last.

Reliable, robust and tour-ready meets lush, lively and musical.

The V7 is a dynamic handheld vocal microphone with a supercardioid polar pattern. It delivers a clear, open sound that perfectly captures your voice and instruments in the most natural way you've ever heard on stage. The advanced capsule design helps isolate your voice from other instruments, ensuring massive gain before feedback.

The V7’s brand-new, patented shock mount efficiently decouples the capsule from mechanical vibrations, resulting in the lowest handling noise in its class.

Innovative, specialized aluminum voice coil

The DMC7 dynamic capsule in the V7 was custom-engineered for a clear, open sound that perfectly captures your voice and instruments in the most natural way you've ever heard on stage – and the advanced supercardioid capsule design helps isolate your voice from other instruments, providing massive amounts of gain before feedback.

Proven Neodymium magnets, tight manufacturing tolerances and high-quality workmanship ensure excellent sensitivity, superior sound quality and outstanding consistency.

Patented integrated shock mount

The V7's brand-new, patented shock mount efficiently decouples the capsule from mechanical vibrations, delivering exceptionally low handling noise compared to other microphones in its class. This means you can move freely on stage without worrying about rumble, pops, or anything other than your voice coming through.

Full metal housing and beveled spring steel grille

The V7's tour-ready design is all-metal—no plastic parts here. The high-quality, highly durable zinc alloy chassis is designed to withstand years of stage performance, and the spring-steel mesh grille is dent- and corrosion-resistant for perfect reliability.

The beveled edge around the grille prevents your microphone from rolling around when you place it on your amplifier or on the stage floor.

Internal windscreen

Efficiently reduces unwanted wind noise and plosive pops. If you don't like the stylish red color or they're not suitable for broadcast applications, an extra black windshield is included in the box.

Gold-plated XLR connector

The V7’s gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.

All in all, the V7 makes it easier than ever for your engineer to get an astonishingly full, rich sound with minimal processing, so you always sound your best.

A plug-and-play USB cardioid condenser microphone, compatible with desktop and mobile devices, with all the necessary features for professional results.

RECOMMENDED USE
Vocals, acoustic guitar, electric guitar cabinet, orchestra + strings, piano

• Compatible with Mac, Windows, iOS and Android
• Record up to 192 kHz and 24-BIT resolution
• Lowest latency in its class and latency-free headphone monitoring
• Built for content creators, streamers, podcasters, and musicians
• Intuitive gain, headphone monitoring, and mute button controls
• Integrated USB-C connector provides extensive compatibility across devices and programs

SPECS
Polar patterns
Cardioid
Frequency range
20 Hz - 20 kHz
Bit resolution
ADC 24-bit
Bit resolution
DAC 24-bit
Supported sample rates
44.1, 48, 88.2, 96, 176.4, 192kHz
Mic Diameter
174 mm x 56 x 40 mm
Mic weight
445 g

The V3 is a robust dynamic workhorse suitable for any voice or instrument.

Brilliant, reliable sound combined with excellent build quality

The new V3 is a dynamic vocal handheld microphone with a cardioid polar pattern. Its smooth and natural sound makes it suitable for a wide range of applications. The cardioid polar pattern minimizes signal bleed from other sources on stage. The beveled edge around the grille prevents your microphone from rolling around when placed on your amplifier or on the stage floor. The V3's integrated shock mount effectively reduces unwanted handling noise.

Full metal housing and beveled spring steel grille

The V3's tour-ready design is all-metal—no plastic parts here. The high-quality, highly durable zinc alloy chassis is designed to withstand years of stage racing, and the spring-steel mesh grille is dent- and corrosion-resistant for perfect reliability.

The beveled edge around the grille prevents your microphone from rolling around when you place it on your amplifier or on the stage floor.

Cardioid capsule design

The dynamic transducer helps isolate your voice from other instruments on stage and provides high gain before feedback.

Internal windscreen

Efficiently reduces unwanted wind noise and plosive pops. If you don't like the stylish red color or they're not suitable for broadcast applications, an extra black windshield is included in the box.

Gold-plated XLR connector

The V3’s gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.

Integrated shock mount

The V3's shock absorber efficiently reduces unwanted handling noise such as footsteps, rumbling or other mechanical vibrations.

The V3 is a true workhorse microphone for any purpose, equally at home on screaming guitars and delicate vocals.

The V7 is built to perform – and built to last.

Reliable, robust and tour-ready meets lush, lively and musical.

The new V7 is a dynamic handheld vocal microphone with a supercardioid polar pattern. It delivers a clear, open sound that perfectly captures your voice and instruments in the most natural way you've ever heard on stage. The advanced capsule design helps isolate your voice from other instruments, ensuring massive gain before feedback.

The V7’s brand-new, patented shock mount efficiently decouples the capsule from mechanical vibrations, resulting in the lowest handling noise in its class.

Innovative, specialized aluminum voice coil

The DMC7 dynamic capsule in the V7 was custom-engineered for a clear, open sound that perfectly captures your voice and instruments in the most natural way you've ever heard on stage – and the advanced supercardioid capsule design helps isolate your voice from other instruments, providing massive amounts of gain before feedback.

Proven Neodymium magnets, tight manufacturing tolerances and high-quality workmanship ensure excellent sensitivity, superior sound quality and outstanding consistency.

Patented integrated shock mount

The V7's brand-new, patented shock mount efficiently decouples the capsule from mechanical vibrations, delivering exceptionally low handling noise compared to other microphones in its class. This means you can move freely on stage without worrying about rumble, pops, or anything other than your voice coming through.

Full metal housing and beveled spring steel grille

The V7's tour-ready design is all-metal—no plastic parts here. The high-quality, highly durable zinc alloy chassis is designed to withstand years of stage performance, and the spring-steel mesh grille is dent- and corrosion-resistant for perfect reliability.

The beveled edge around the grille prevents your microphone from rolling around when you place it on your amplifier or on the stage floor.

Internal windscreen

Efficiently reduces unwanted wind noise and plosive pops. If you don't like the stylish red color or they're not suitable for broadcast applications, an extra black windshield is included in the box.

Gold-plated XLR connector

The V7’s gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.

All in all, the V7 makes it easier than ever for your engineer to get an astonishingly full, rich sound with minimal processing, so you always sound your best.

Dual wireless microphone receiver with handheld microphone, beltpack and headset.
LCD display for easy installation
Simple channel setting via IR transmission.
Both the remote control and Beltpack can be used with rechargeable batteries!
16 selectable frequencies via PLL synthesizer:
Receiver 1 (left): channels 1 to 8
Receiver 2 (right): channels 9 to 16
2 separate balanced XLR outputs
1 x 6.3 mm jack output with mixed signal from both channels
Frequency range: 823-832MHz (free use in most European countries)
Including plastic case

Dual wireless microphone receiver with beltpack and headset.
LCD display for easy installation
Simple channel setting via IR transmission.
Beltpack can be used with rechargeable batteries!
16 selectable frequencies via PLL synthesizer:
Receiver 1 (left): channels 1 to 8
Receiver 2 (right): channels 9 to 16
2 separate balanced XLR outputs
1 x 6.3 mm jack output with mixed signal from both channels
Frequency range: 823-832MHz (free use in most European countries)
Including plastic case

Dual wireless microphone receiver with one handheld microphone.
LCD display for easy installation
Simple channel setting via IR transmission.
Handheld microphone can be used with rechargeable batteries!
16 selectable frequencies via PLL synthesizer:
Receiver 1 (left): channels 1 to 8
Receiver 2 (right): channels 9 to 16
2 separate balanced XLR outputs
1 x 6.3 mm jack output with mixed signal from both channels
Frequency range: 823-832MHz (free use in most European countries)
Including plastic case

The CM300 USB microphone is a high-quality studio microphone with a wide frequency response, designed for ease of use. It connects directly to a PC or laptop via a modern USB cable and is instantly ready for use, plug-and-play style. The CM300 is widely used for singing, gaming, chatting, personal recording, podcasting, video voiceovers, Skype conferencing, and many other applications.

The set consists of:

• USB Microphone
• Adjustable arm
• Table clamp
• Shock mount
• Polp screen
• Pop cap
• USB cable

The CM300 USB microphone is a high-quality studio microphone with a wide frequency response, designed for ease of use. It connects directly to a PC or laptop via a modern USB cable and is instantly ready for use, plug-and-play style. The CM300 is widely used for singing, gaming, chatting, personal recording, podcasting, video voiceovers, Skype conferencing, and many other applications.

The set consists of:

• USB Microphone
• Adjustable arm
• Table clamp
• Shock mount
• Polp screen
• Pop cap
• USB cable

The CM300 USB microphone is a high-quality studio microphone with a wide frequency response, designed for ease of use. It connects directly to a PC or laptop via a modern USB cable and is instantly ready for use, plug-and-play style. The CM300 is widely used for singing, gaming, chatting, personal recording, podcasting, video voiceovers, Skype conferencing, and many other applications.

The kit consists of:

• USB Microphone
• Table stand
• Shock mount
• Pop cap
• USB cable

The CM300 USB microphone is a high-quality studio microphone with a wide frequency response, designed for ease of use. It connects directly to a PC or laptop via a modern USB cable and is instantly ready for use, plug-and-play style. The CM300 is widely used for singing, gaming, chatting, personal recording, podcasting, video voiceovers, Skype conferencing, and many other applications.

The kit consists of:

• USB Microphone
• Table stand
• Shock mount
• Pop cap
• USB cable

Diversity system wireless microphone with handheld microphone

GOMono-F8 receiver

• 16 UHF frequencies
• Frequency range: UHF 823~832 and 863 ~ 865 MHz (4G compatible)
• The Diversity system ensures perfect reception
• Adjustable squelch to absorb interference
• You can use up to 4 receivers simultaneously (4 mic)
• Adjustable antennas (front)
• Average range in perfect conditions: 70m
• Balanced XLR outputs and unbalanced jack output
• Use FREE-RACK to stack them in racks (optional)
• Dimensions: 130 x 36 x 92 mm

GOHand-F8 transmitter

• Handheld microphone only
• Must be combined with a GO-MONO receiver
• High-quality unidirectional electret
• Distortion percentage: less than 1% at 1 kHz
• Operates on 2 AA batteries of type 1.5 V
• Dimensions: 237 x 58 mm

The AKG C111 LP headset microphone is an extremely lightweight (7g) headset. This headset is compatible with AKG wireless systems.

Sturdy metal housing
42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
Enhanced frequency bank system with up to 12 compatible frequencies
Pilot tone squelch to eliminate RF interference when the transmitter is turned off
Improved AF frequency range
Increased range for audio sensitivity
Wireless synchronization of transmitters via infrared interface of receiver
User-friendly menu control with more operating options
Illuminated graphic display
Auto-Lock function prevents settings from being accidentally changed
HDX compander for crystal-clear sound
Transmitter has 4-step battery indication, also shown on the receiver display
Programmable Mute Function
Contacts for charging BA 2015 battery pack directly in the transmitter
A wide range of accessories adapts the system to every need

Frequency range 780...822 MHz 503541
Frequency response (microphone) 80 - 18000 Hz
Compander HDX
Audio XLR connection 3.5 mm jack
THD, total harmonic distortion < 0.9 %
Signal-to-noise ratio > 110 dB(A)
RF frequency range 516...865 MHz
RF output power 30 mW
Transmission/Reception Frequencies 1680 (max. 20 Presets)
Switching bandwidth 42 MHz
Peak deviation +/- 48 kHz
In accordance with ETS 300422, ETS 300445, CE, FCC
Input voltage range 1.8 V line
Transmitter
Dimensions 82 x 64 x 24 mm
Weight ~ 160 g
Operating time > 8 h

The BG 6.1 is a high output dynamic instrument microphone.

Transducer type: Dynamic
Polar Pattern: Cardioid
Frequency response: 80 Hz - 15 kHz
Sensitivity (1 kHz): -74 dB (.200 mV)
Weight: 320 g

Polar pattern cardioid
Frequency range 30Hz - 15kHz
Sensitivity -85dB (±3dB)
Impedance 150 ohms
Dimensions 125mm x 74mm
Weight 500g

Polar pattern cardioid
Frequency range 40Hz - 18kHz
Sensitivity -76dB (±3dB)
Impedance 400 ohms
Dimensions 120 x 40mm
Weight 120g

The P420 is a multi-pattern large-diaphragm true condenser microphone for demanding project studio recording applications. With high sensitivity and a maximum SPL of 155dB, the P420 delivers warm, transparent sound quality that's perfectly suited for ensemble recordings, grand pianos, woodwinds and brass instruments, as well as drums and percussion. With three selectable polar patterns—cardioid, omnidirectional, or figure-8—it's an ideal tool for stereo miking techniques and ambient recording.