Made with a Sitka Spruce top and Nato back and sides. The neck is made of Mahogany and the fretboard is made of Teak, which together provide good sustain and musicality. Equipped with a compensated GraphTech Nu-Bone XB bridge saddle and good quality strings for a rich and lively tone.

The traditional gold tuners with pearloid buttons not only provide a classic look but also excellent tunability and intonation. Finished with a transparent open-pore satin finish, this guitar sounds as good as it looks.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Open pore finish

An open-pore finish on a guitar's soundboard allows it to vibrate more freely. This gives the guitar a more resonant and responsive tone. It also keeps the guitar's weight within limits, which in turn enhances playing pleasure.

The Valencia Series 430 Auditorium guitar represents a step in the evolution of the nylon-string guitar, giving you the best of both worlds. Its larger body shape delivers more volume and a better midrange than a traditional classical guitar, while the curved radius fingerboard gives players an instrument with the feel and playability of an acoustic guitar.
Players will appreciate the distinctive tonal flavors of a nylon string guitar combined with a tight, extremely playable neck and the styling that steel-string acoustic guitars are known for.
The Sitka spruce top offers great clarity and detail, while the nato back and sides balance the tone by adding warmth and projection. The mahogany neck with a two-way truss rod and rosewood fingerboard provides a smooth, effortless playing feel.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Open pore finish

An open-pore finish on a guitar's soundboard allows it to vibrate more freely. This gives the guitar a more resonant and responsive tone. It also keeps the guitar's weight within limits, which in turn enhances playing pleasure.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Mahogany top

Mahogany is often used for the back and sides of acoustic guitars, but it also works very well for the top of a guitar. It produces a warm, more subdued tone with plenty of bass and a strong low-midrange presence. Mahogany's treble is less pronounced but certainly very appealing in timbre.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Brunswick KLT-18B

The Brunswick KLT-18B is a preamp system for amplifying an acoustic guitar. This system offers extensive control over your guitar's tone with separate bass, middle, and treble controls on the unit. Additional controls include volume, presence, and phase, so you can always use this system no matter the situation. The KLT-18B is also equipped with a tuner, so you can easily tune your guitar without having to search for a separate tuner. The battery indicator tells you when the battery is running low, so you'll never be caught off guard.

Dreadnought guitars (named after a large, powerful battleship) have become the industry standard worldwide. The Brunswick BD200 is a dreadnought-style acoustic guitar with a traditional square-shoulder design. Its size and design ensure a powerful sound with excellent projection, ensuring you'll always be heard with beautiful tone and good balance. This series is ideal for beginners; the wood and build quality are excellent, allowing us to fine-tune these guitars. This ensures a smooth playability and a very respectable sound.

Travel guitar

Most guitars labeled "mini" are designed to be the ideal travel guitar. A travel guitar should be easy to carry without compromising either the sound or playability. The shorter scale length naturally loosens the strings, making it easier to play with thicker strings on a travel guitar, which in turn improves the sound. The sound box of a travel guitar is naturally more compact than that of a larger guitar. The sound is therefore more responsive, comparable to that of an Orchestra Model, well-articulated and dynamic, with an open, clear tone. The smaller sound box naturally compromises the bass, but this is partly offset by the ease with which thicker strings can be played on a travel guitar.

Mahogany top

Mahogany is often used for the back and sides of acoustic guitars, but it also works very well for the top of a guitar. It produces a warm, more subdued tone with plenty of bass and a strong low-midrange presence. Mahogany's treble is less pronounced but certainly very appealing in timbre.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Open pore finish

An open-pore finish on a guitar's soundboard allows it to vibrate more freely. This gives the guitar a more resonant and responsive tone. It also keeps the guitar's weight within limits, which in turn enhances playing pleasure.

Dreadnought guitars (named after a large, powerful battleship) have become the industry standard worldwide. The Brunswick BD200 is a dreadnought-style acoustic guitar with a traditional square-shoulder design. Its size and design ensure a powerful sound with excellent projection, ensuring you'll always be heard with beautiful tone and good balance. This series is ideal for beginners; the wood and build quality are excellent, allowing us to fine-tune these guitars. This ensures a smooth playability and a very respectable sound.

Travel guitar

Most guitars labeled "mini" are designed to be the ideal travel guitar. A travel guitar should be easy to carry without compromising either the sound or playability. The shorter scale length naturally loosens the strings, making it easier to play with thicker strings on a travel guitar, which in turn improves the sound. The sound box of a travel guitar is naturally more compact than that of a larger guitar. The sound is therefore more responsive, comparable to that of an Orchestra Model, well-articulated and dynamic, with an open, clear tone. The smaller sound box naturally compromises the bass, but this is partly offset by the ease with which thicker strings can be played on a travel guitar.

Mahogany top

Mahogany is often used for the back and sides of acoustic guitars, but it also works very well for the top of a guitar. It produces a warm, more subdued tone with plenty of bass and a strong low-midrange presence. Mahogany's treble is less pronounced but certainly very appealing in timbre.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Open pore finish

An open-pore finish on a guitar's soundboard allows it to vibrate more freely. This gives the guitar a more resonant and responsive tone. It also keeps the guitar's weight within limits, which in turn enhances playing pleasure.

Dreadnought guitars (named after a large, powerful battleship) have become the industry standard worldwide. The Brunswick BD200 is a dreadnought-style acoustic guitar with a traditional square-shoulder design. Its size and design ensure a powerful sound with excellent projection, ensuring you'll always be heard with beautiful tone and good balance. This series is ideal for beginners; the wood and build quality are excellent, allowing us to fine-tune these guitars. This ensures a smooth playability and a very respectable sound.

Mahogany top

Mahogany is often used for the back and sides of acoustic guitars, but it also works very well for the top of a guitar. It produces a warm, more subdued tone with plenty of bass and a strong low-midrange presence. Mahogany's treble is less pronounced but certainly very appealing in timbre.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Open pore finish

An open-pore finish on a guitar's soundboard allows it to vibrate more freely. This gives the guitar a more resonant and responsive tone. It also keeps the guitar's weight within limits, which in turn enhances playing pleasure.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Mahogany top

Mahogany is often used for the back and sides of acoustic guitars, but it also works very well for the top of a guitar. It produces a warm, more subdued tone with plenty of bass and a strong low-midrange presence. Mahogany's treble is less pronounced but certainly very appealing in timbre.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Grand Auditorium guitars are a beautiful hybrid between the well-known Dreadnought and the more compact Auditorium/Orchestra Model. With a narrower waist, it sits comfortably on the knee without compromising the sound too much thanks to the wider bottom end. This results in a guitar that has both the body and projection of a Dreadnought, while the articulation is closer to that of an Auditorium/Orchestra Model. This series is ideal for beginners; the wood and build quality are excellent, allowing us to set these guitars up properly. This ensures that these guitars offer excellent playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Dreadnought guitars (named after a large, powerful battleship) have become the industry standard worldwide. The Brunswick BD200 is a dreadnought-style acoustic guitar with a traditional square-shoulder design. Its size and design ensure a powerful sound with excellent projection, ensuring you'll always be heard with beautiful tone and good balance. This series is ideal for beginners; the wood and build quality are excellent, allowing us to fine-tune these guitars. This ensures a smooth playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Dreadnought guitars (named after a large, powerful battleship) have become the industry standard worldwide. The Brunswick BD200 is a dreadnought-style acoustic guitar with a traditional square-shoulder design. Its size and design ensure a powerful sound with excellent projection, ensuring you'll always be heard with beautiful tone and good balance. This series is ideal for beginners; the wood and build quality are excellent, allowing us to fine-tune these guitars. This ensures a smooth playability and a very respectable sound.

Spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

The Rathbone R3SKCE combines the larger dimensions of the Grand Auditorium with the breathtaking tonewood of koa for a spectacular result. A bright, open, and sparkling tone comes from the combination of solid Englemann spruce for the top and koa for the back and sides. This gives the guitar a powerful and linear sound, ideal for both the heavy strummer and the articulate fingerpicker.

A perfect all-rounder, the No. 3 has the same scale length as the Orchestra Model, but its body dimensions are closer to those of a dreadnought. The larger body naturally delivers a stronger bass tone without sacrificing clarity—that's the strength of a Grand Auditorium. However, the larger body doesn't mean this guitar is any less easy to play; quite the opposite is true. Its narrow waist allows the guitar to rest comfortably on the knee or hang easily over the shoulders.

Solid Sitka Spruce top

Sitka spruce is one of the most traditional woods used for guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. Thanks to these characteristics, Sitka spruce offers a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it exceptionally well-suited to both powerful strumming and delicate fingerpicking.

Koa side and back

Koa is considered an exotic wood, and given its Hawaiian origins, it's easy to understand why. It's not only a sight to behold, but the tone easily matches its visual beauty. A guitar made with koa benefits greatly from being played. New koa can sometimes sound a bit harsh and stiff, but the more the guitar is played, the better it will sound. Once a koa guitar is sufficiently broken in, the tone opens up completely, becoming pleasant, rich, and clear with an abundance of resonance. The bass, in particular, becomes rich and full, while the overall sound truly comes alive.

Bone saddles

Bone saddles and/or nut are much denser and therefore retain better tonal qualities. A bone saddle or nut produces a brighter sound with more resonance and a better attack. A bone saddle and/or nut truly brings a guitar to life.

The Rathbone R3CESB combines solid Englemann spruce with beautiful Bocote, resulting in a spectacular-looking guitar. Similar to the tonal character of a maple guitar, this guitar delivers a powerful tone with excellent projection, filling a room with ease, whether strumming or fingerpicking.

A perfect all-rounder, the No. 3 has the same scale length as the Orchestra Model, but its body dimensions are closer to those of a dreadnought. The larger body naturally delivers a stronger bass tone without sacrificing clarity—that's the strength of a Grand Auditorium. However, the larger body doesn't mean this guitar is any less easy to play; quite the opposite is true. Its narrow waist allows the guitar to rest comfortably on the knee or hang easily over the shoulders.

Solid Sitka Spruce top

Sitka spruce is one of the most traditional woods used for guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. Thanks to these characteristics, Sitka spruce offers a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it exceptionally well-suited to both powerful strumming and delicate fingerpicking.

Bocote side and back

Bocote is considered an exotic wood and has both the tonal character and the appearance to deserve this name. It's a wood with high density and stability, good sustain, and excellent resonance. All this creates a warm and powerful tonal character. It's a beautiful wood for the back and sides of an acoustic guitar, and not just for its looks.

Bone saddles

Bone saddles and/or nut are much denser and therefore retain better tonal qualities. A bone saddle or nut produces a brighter sound with more resonance and a better attack. A bone saddle and/or nut truly brings a guitar to life.

The Rathbone R2SB orchestra model (OM) acoustic guitar is a true powerhouse. With its solid Englemann spruce top and beautiful Bocote back and sides, this guitar has a beautifully clear and open tone. The tonal characteristics of Bocote are similar to those of maple, exceptionally linear in projection and clarity.

Given the situation for which it was originally designed, the OM model does not have a large sound box. In fact, none of the early "modern" guitar models are large by today's standards. Despite its smaller sound box, the Rathbone No. 2 OM model guitar plays like a modern guitar, because the neck meets the sound box at the 14th fret, rather than the usual 12th fret for an OM model guitar. When this "long" scale was first used, it was considered to produce a disproportionately powerful and dynamic sound. The strings are under higher tension on this scale, which provides better response and more punch.

Solid Sitka Spruce top

Sitka spruce is one of the most traditional woods used for guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. Thanks to these characteristics, Sitka spruce offers a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it exceptionally well-suited to both powerful strumming and delicate fingerpicking.

Bocote side and back

Bocote is considered an exotic wood and has both the tonal character and the appearance to deserve this name. It's a wood with high density and stability, good sustain, and excellent resonance. All this creates a warm and powerful tonal character. It's a beautiful wood for the back and sides of an acoustic guitar, and not just for its looks.

Bone saddles

Bone saddles and/or nut are much denser and therefore retain better tonal qualities. A bone saddle or nut produces a brighter sound with more resonance and a better attack. A bone saddle and/or nut truly brings a guitar to life.

The Rathbone R5SM, also known as the No. 5, is built with the classic wood combination of a solid Sitka spruce top and mahogany back and sides. The top features a double-top construction, consisting of two outer layers of solid Sitka spruce with a layer of woven carbon fiber in between. This stiffens the top while also making it more flexible, resulting in a more resonant and responsive playing experience.

The No. 5, with its dreadnought-style body, delivers a truly big sound. Its large body allows it to naturally produce deep, full bass without the need for amplification. It's a versatile guitar that can be used in a wide variety of situations thanks to its balance of volume, size, and playability.

double top

The top of the Rathbone No. 5 is constructed as a double-layered top. This means the top of this guitar consists of three layers: the outer two layers are made of solid Sitka spruce with a layer of woven carbon fiber in between. This results in a top that is both stiffer and more flexible, making it easier to move and resonate freely. This benefits both the playing comfort and the sound of the guitar.

Solid spruce top

Spruce is one of the most traditional woods used to make guitar tops. This is due to its stiffness and ideal strength-to-weight ratio. These characteristics give spruce a very dynamic sensitivity and a rich tone with many harmonic overtones. This makes it excellent for both powerful strumming and delicate fingerpicking.

Mahogany sides and back

Mahogany has long been a highly sought-after wood for the back and sides of acoustic guitars. Its warm, rounded bass tone provides a foundation for any musical style to reach the listener. The midrange is very strong and full-bodied, while the treble is delicate and very pleasant.

Bone saddles

Bone saddles and/or nut are much denser and therefore retain better tonal qualities. A bone saddle or nut produces a brighter sound with more resonance and a better attack. A bone saddle and/or nut truly brings a guitar to life.

The Valencia 560 Series stands out in its class with a high-gloss Sitka spruce top and fully bound walnut back and sides; a beautiful tonewood combination that enhances the richness and sustain of the low frequencies. With a beautiful Amara ebony fingerboard, mahogany neck, and high-quality gold tuning hardware, these guitars are ready for many years of reliable performance.

The deep gloss finish enhances the beauty of the specially selected tonewoods, while its tasteful decorative appointments emphasize the understated appearance.

Valencia guitars are made in their own factory in Indonesia. The 200 series features a Sitka spruce top, nato body, and jabon neck for a well-balanced tone. The beautiful see-through finish allows the character of the exquisite tonewood to shine through. The darkened mahogany fretboard and bridge complete the look.

Valencia guitars are made in their own factory in Indonesia. The 200 series features a Sitka spruce top, nato body, and jabon neck for a well-balanced tone. The beautiful see-through finish allows the character of the exquisite tonewood to shine through. The darkened mahogany fretboard and bridge complete the look.

The Series 300's select Sitka spruce top and bound nato back and sides deliver warmth, tone, and projection. A mahogany neck combines with a teak fingerboard and bridge for a unique look. GraphTech Nu-bone XB bridge saddles and USA strings deliver enhanced tone, projection, and clarity.

Gold tuning machines with black button tuners give the Valencia Series 300 a unique character that no other brand offers. With a transparent satin finish and stylish rosette decoration, the Series 300 is truly inspired!

Whether you're a beginner or an experienced player, the well-priced Series 260 represents great value. Crafted in Valencia's own Indonesian factory, the Series 260 features a high-gloss Sitka spruce top, nato body, and jabon neck that produce rich, vibrant tones and excellent sustain. Regardless of your experience level, you'll enjoy the attention to detail and superb playability of this series.

Valencia guitars are made in their own factory in Indonesia. The 200 series features a Sitka spruce top, nato body, and jabon neck for a well-balanced tone. The beautiful see-through finish allows the character of the exquisite tonewood to shine through. The darkened mahogany fretboard and bridge complete the look.

Valencia guitars are made in their own factory in Indonesia. The 200 series features a Sitka spruce top, nato body, and jabon neck for a well-balanced tone. The beautiful see-through finish allows the character of the exquisite tonewood to shine through. The darkened mahogany fretboard and bridge complete the look.

Valencia guitars are made in their own factory in Indonesia. The 200 series features a Sitka spruce top, nato body, and jabon neck for a well-balanced tone. The beautiful see-through finish allows the character of the exquisite tonewood to shine through. The darkened mahogany fretboard and bridge complete the look.

Valencia guitars are made in their own factory in Indonesia. The 200 series features a Sitka spruce top, nato body, and jabon neck for a well-balanced tone. The beautiful see-through finish allows the character of the exquisite tonewood to shine through. The darkened mahogany fretboard and bridge complete the look. This guitar has a narrower hybrid neck.

Whether you're a beginner or an experienced player, the well-priced Series 260 represents great value. Crafted in Valencia's own Indonesian factory, the Series 260 features a high-gloss Sitka spruce top, nato body, and jabon neck that produce rich, vibrant tones and excellent sustain. Regardless of your experience level, you'll enjoy the attention to detail and superb playability of this series.

The Series 300's select Sitka spruce top and bound nato back and sides deliver warmth, tone, and projection. A mahogany neck combines with a teak fingerboard and bridge for a unique look. GraphTech Nu-bone XB bridge saddles and USA strings deliver enhanced tone, projection, and clarity.

Gold tuning machines with black button tuners give the Valencia Series 300 a unique character that no other brand offers. With a transparent satin finish and stylish rosette decoration, the Series 300 is truly inspired!

Valencia guitars are made in their own factory in Indonesia. The 200 series features a Sitka spruce top, nato body, and jabon neck for a well-balanced tone. The beautiful see-through finish allows the character of the exquisite tonewood to shine through. The darkened mahogany fretboard and bridge complete the look.